My contributions have been featured in high-profile projects such as *Silent Witness*, *Department Q*, and the critically acclaimed *I, Daniel Blake*. My journey into television production began through the ScreenSkills Trainee program, which served as a crucial stepping stone for my growth in the industry. Over the years, I’ve progressed from an Art Department Assistant to a Graphics Lead, demonstrating resilience and adaptability while working on everything from contemporary police dramas to intricate period pieces.

My recent work on productions like *Grantchester* and Netflix’s *Bodies* allowed me to explore and expand my skills in creating detailed, historically accurate graphics across various time periods. Technical proficiency is a cornerstone of my work; I am highly skilled in Adobe Illustrator, Photoshop, and the entire Adobe design suite. I have utilised these tools to produce compelling digital graphics that can occasionally eliminate the need for external services. This ability to handle complex design tasks in-house has consistently saved time and reduced production costs.

I am currently seeking new projects where I can bring my expertise and deep passion for design to life. If you are looking for a Graphics Lead who combines creative vision with technical precision, I would love to discuss how I can contribute to your next production.